“The poetry of
earth is never dead.” (Keats ‘On the Grasshopper and Cricket’, 2009, p.13).
“One morn before me were three figures seen,
With bowed necks,
and joined hands, side faced;
And one behind
the other steep’d serene,
In placid
sandals, and in white robes graced;
They pass’d like
figures on a marble urn,
When shifted
round to see the other side,
They came again;”
(Keats ‘Ode on Indolence’, 2009, p.27).
“Was it a silent
deep-disguised plot
To steal away,
and leave without a task
My idle days?
Ripe was the drowsy hour;” (Keats ‘Ode on Indolence’, 2009, p.27).
“Yes, I will be
thy priest, and build a fane
In some untrodden
region of my mind,
Where branched
thoughts, new grown with pleasant pain,
Instead of pines
shall murmur in the wind.” (Keats ‘Ode to Psyche’, 2009, p.31).
“My heart aches,
and a drowsy numbness pains
My sense, as
though of hemlock I had drunk,
Or emptied some
dull opiate to the drains
One minute past,
and Lethe-wards had sunk:
‘Tis not through
envy of thy happy lot,
That thou,
light-winged Dryad of the trees,
In some melodious
plot
Of beechen green,
and shadows numberless,
Singest of summer
in full-throated ease.” (Keats ‘Ode to a Nightingale, 2009, p.33).
“To Sorrow
I bade
good-morrow
And thought to
leave her far away behind;
But cheerly,
cheerly,
She loves me
dearly;
She is so
constant to me, and so kind:
I would deceive
her
And so leave her,
But ah! She is so
constant and so kind.” (Keats ‘Endymion’, 2009, p.45).
“St. Agnes’ Eve –
Ah, bitter chill it was!
The owl, for all
his feathers, was a-cold;
The hare limp’d
trembling through the frozen grass,
And silent was
the flock in wooly fold:
Numb were the
Beadsman’s fingers, while he told
His rosary, and
while his frosted breath,
Like pious
incense from a censer old,
Seem’d taking
flight for heaven, without death,
Past the sweet
Virgin’s picture, while his prayer he saith.” (Keats ‘The Eve of St Agnes’,
2009, p.49).
“Deep in the shady
sadness of a vale
Far sunken from
the healthy breath of morn,
Far from the
fiery noon, and eve’s one star,
Sat gray-hair’d
Saturn, quiet as a stone,
Still as the
silence round about his lair;
Forest on forest
hung about his head
Like cloud on
cloud.” (Keats ‘Hyperion, 2009, p.70).
“As when, upon a
tranced summer-night,
Those green-rob’d
senators of mighty woods,
Tall oaks,
branch-charmed by the earnest stars,
Dream, and so
dream all night without a stir …” (Keats ‘Hyperion, 2009, p.78).
“Poetry should be
great & unobstrusive, a thing which enters into one’s soul, and does not
startle it or amaze it with itself but with its subject. – How beautiful are
the retired flowers! How would they lose their beauty were they to throng into
the highway crying out, ‘admire me I am a violet! Dote upon me I am a primrose.”
(Keats, 2009, p.96).
“What shocks the
virtuous philosopher, delights the camelion Poet. It does no harm from its
relish of the dark side of things any more than from its taste for the bright
one; because they both end in speculation. A poet is the most unpoetical of any
thing in existence; because he has no Identity – he is continually informing –
and filling some other Body – The Sun, the Moon, the Sea and Men and Women who
are creatures of impulse are poetical and have about them an unchangeable
attribute – the poet has none.” (Keats, 2009, p.98).
“I feel it I my
power to become a popular writer … (…) I think if I had a free and healthy and
lasting organization of heart and Lungs – as strong as an ox’s – so as to bear
unhurt the shock of extreme thought and sensation without weariness, I could
pass my Life very nearly alone though it should last eighty years. But I feel
my Body too weak to support me to the height; I am obliged continually to check
myself and strive to be nothing.” (Keats, 2009, p.101).
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